Washington Ballet’s Frontier
This may appeal to others besides myself. I wish I could see it. From the Washington Post:
“Okay, you walk — one, two, three, four, five, six, seven — and kneel on eight,” Stiefel tells Sarah Steele, a willowy, dark-eyed 22-year-old. She was recently hired as an apprentice, and Stiefel plucked her from that bottom rank to star in his ballet. Her courage at the outset of rehearsals attracted him. She possesses, he says, “the essence of a strong, brave artist.”
“You have a full eight counts to zip,” he continues. “Then you’ll get lifted. Turn on four, arms on five. Four counts for the gloves. . . . Lift on five; six, you get into the backpack.”
Steele and the dancer-crew members who are helping her dress eye him intently, tallying up the counts in their heads. The first few run-throughs are rocky — Steele’s zipper snags on the waistband of her tights, the gloves don’t cooperate. The helmet strap must be snapped — oh, where is it, where’s that dang other end? — and, meanwhile, the cyber beats in the commissioned music are racing on. Ah, at last, success! Well, the helmet’s a little askew. But Steele stands triumphant, ready for takeoff, fists clenched at her sides in the ready position.“This is going to work,” Stiefel assures his dancers. “This will be absolutely no problem. We have two weeks to work on it.”